Game developers often receive little representation in film, frequently depicted as either foolish characters or sinister corporate figures. They are rarely portrayed as real artists, unlike filmmakers who often choose to tell stories about creators similar to themselves. When video game developers are featured, they are typically categorized into three negative stereotypes: bumbling losers, malevolent tech entrepreneurs, or eccentric geniuses responsible for unleashing chaos.
The Unique Representation in *Yi Yi*
However, an unexpected exception exists in the 2000 film *Yi Yi*, directed by Edward Yang, which features a grounded and relatable game developer named Mr. Ota. This character deviates from typical portrayals and is seen as composed, respected, and a well-rounded human being.
*Yi Yi* is a poignant exploration of contemporary life in Taipei through the lens of NJ, a computer engineer portrayed by Wu Nien-jen. The film follows NJ as he navigates familial challenges, particularly after his mother-in-law suffers a stroke. The narrative delves into NJ’s struggles with midlife and romantic crises, portraying the lives of his wife, daughter, son, and brother-in-law as they encounter both despair and joy.
Ota’s Character and Philosophy
Ota, played by Issey Ogata, embodies a refreshing vision of game development. He questions conventional gaming narratives focused on violence and instead advocates for creativity, suggesting that games can convey beauty. Ota is a blend of pretentiousness and wholesomeness, reminiscent of notable figures in gaming like Hideo Kojima and Shigeru Miyamoto.
Throughout the film, the interactions between NJ and Ota reveal deeper philosophical themes. Their conversation, conducted in halting English, evokes suppressed artistic ambitions within NJ. As the two bond over a night out in Taipei, Ota showcases his musical talent at a karaoke bar and entertains NJ with magic tricks, enriching his character with a compelling backstory.
Artistic Reflection and Impact
Ota’s character serves as an idealized reflection of Yang himself, who was initially trained as an electrical engineer before becoming a filmmaker. By integrating a character like Ota, Yang provides a lens through which to view the aspirations not pursued in his life, adding a layer of emotional depth to the narrative. Although Ota is depicted in an idealized manner, Ogata’s performance brings authenticity and relatability to the role.
The portrayal of a game developer such as Ota as a figure of artistic integrity is notable—not only for its rarity but also for its depth and nuance. During a recent screening of *Yi Yi*, the character of Ota resonated strongly with audiences who may not have anticipated such a portrayal. Edward Yang’s film, now recognized as an international arthouse hit, captures the beauty of creativity and the diverse landscape of artistic expression, including video game development.
*Yi Yi* is currently available for streaming on the Criterion Channel.